Saint-Saëns: Pioneer and paradox, rethinking the composer a

Saint-Saëns was a complex, paradoxical composer who considered himself an eclectic, developed a nationalistic streak and tried not to display private emotion in his music. Tim Ashley makes the case that his originality is too easily overlooked

Musical Musings: Saint-Saëns - Mélodies Persanes, Opus 26

Musicology and the Middlebrow. - Document - Gale Academic OneFile

Cathedral Music: Spring 2003 by Cathedral Music Trust - Issuu

Saint-Saens – Ms. Turner's Music Class

Introducing the December 2021 issue of Gramophone

Saint-Saëns: unfashionable, underrated – and overdue for reappraisal, Classical music

Saint-Saëns's Henry VIII Another Swan - The Boston Musical Intelligencer

DJWM 2010 Magazine by Muziek Centrum Nederland - Issuu

A Bard Music Festival Weekend of Saint-Saëns - The New York Times

Camille Saint Saens - The most bizarre composer facts - Classic FM

Camille Saint-Saëns: An Underrated Master ~ The Imaginative Conservative

PDF) 'The heart that feels music will feel people': rethinking the concept of the transformative power of music in the writings and practices of Shinichi Suzuki

PDF) “Composer, Performer, Teacher: Jeanne Barbillion (1895-1992) and the Schola cantorum, Paris”, in: The Routledge Handbook on Women's Work in Music, ed. Rhiannon Mathias (London, New York: Routledge, 2022), pp. 124-135.

Saint-Saëns: Pioneer and paradox, rethinking the composer a century on